Nameless protagonists provide a mirror into our own souls while trying to assess their own simultaneously. And for that, the revelation is that although we have no names for the characters with whom we resonate, we know them intuitively. They know us too or else their words wouldn’t be so frank and matter-of-factly.
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GENERALLY, the types remain unnamed—when the function of a character is more important than his/her name. they are a type of characters . They are defined by their function and therefore their names are not necessary. You can get to know a whole class of people by their act.
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In essence, using a nameless narrator provides a fresh perspective and enlarges the world beyond the narrator. Another interesting twist in the use of nameless protagonists is that often they blur the line between the author and the main character.
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Your reader connects to your story through your protagonist. This means the name of your protagonist is the name your reader associates with the connection to your story—this is the person they’re going to follow through to the end, and what they’re called matters.
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Giving a fictional person a name bestows upon them a certain degree of importance—it’s what turns them from an unidentified human being into a character. And if you have too many of them, you run the risk of creating unnecessary distractions or making it difficult for readers to keep them straight.
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Tips For Naming Your Characters
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But it’s important, because naming your character helps your reader build up a picture of who the character is. Novels, films, and TV series often reference the name of the principal character in their title ― think about “Jack Reacher”, “Endeavour”, “Poirot”.
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Bartleby’s moniker might indicate his stubborn refusal to be anything but himself, while the Narrator’s namelessness seems to indicate a certain universality – he’s a kind of Everyman, perhaps, which might be why we, the readers, identify with him.
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Nameless characters in novels: Characters that are referred by something else than their name.
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The Sniper is not given a name because he wants a mystery and to degrade the enemy. The author did not name the character so that the story can apply to anyone involved in a war, easily substituted part.
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To Deliberately Keep A Character Generic
As soon as we name a character we give them individuality. So if we want the audience to think in terms of archetype, it pays not to give them a name.
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Every Day Is for the Thief by Teju Cole
An immigrant feels detached from his home country when he returns after fifteen years of living in the U.S. in Every Day Is for the Thief.
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Nameless protagonists provide a mirror into our own souls while trying to assess their own simultaneously. And for that, the revelation is that although we have no names for the characters with whom we resonate, we know them intuitively. They know us too or else their words wouldn’t be so frank and matter-of-factly.
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The narrator: The protagonist in “The Yellow Wallpaper” remains anonymous throughout the story. Readers know that she is a young, new mother who has a nervous mental condition, possibly postpartum depression. Her husband is controlling, which may contribute to her lack of identity.
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While the protagonist is usually the main character, the protagonist is not always the narrator. This is connected to your chosen point of view (i.e. first, second, third objective, third limited omniscient, and third omniscient). Sometimes, the writer is the narrator—especially when written in second and third person.
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Police won’t arrest you for not having a name. But you can’t legally identify yourself without one, which would make things difficult for you. For instance, you need a legal name on a birth certificate or social security card to obtain a driver’s license or passport, open a bank account and get a job.
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While violence was a necessary element in the film, as it was shown as a means to end of true and lasting peace. In choosing to become the nonviolent man by sacrificing his own life, Nameless became a hero and opened the possibilities of a truly peaceful world with meaning.
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“The Nameless One” is the protagonist of Black Isle Studios 1999 role-playing video game, Planescape: Torment. In the game, he suffers from a curse of immortality that has spanned thousands of years. Every time he dies, another person in the multiverse dies to fuel his resurrection.
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Bartleby assumes a polite tone with his boss by using the term “prefer,” and there is irony in the choice. If he says he “will not” do something, the Lawyer can easily interpret that as misbehavior and fire him.
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The Lawyer: The narrator of the story is a gray-haired Wall Street lawyer. He is the protagonist of the story because the plot is driven by his problem and goal.
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Bartleby does not like change. “I would prefer not to make any change” he says, and a little later states “I like to be stationary”. In fact, he prefers not to go very far at all, working, eating, sleeping all in the same place. He is unable to move out of his private world and make public aspects of himself.
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A character’s name offers the first clue to who she is, not only for the author but also for the audience. Before readers see her interact with her surroundings, obstacles, and other characters, they learn her name, which communicates a huge amount of information in a small package. Names, after all, have meanings.
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Our names are an incredibly important part of our identity. They carry deep personal, cultural, familial, and historical connections. They also give us a sense of who we are, the communities in which we belong, and our place in the world.
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Protagonist: The main character of the story is the protagonist.
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The protagonist is the character who drives the action–the character whose fate matters most. In other words, they are involved in —and often central to—the plot or conflict of the story, but are also usually the emotional heart of the narrative. Sometimes it’s easy to pinpoint who the protagonist is in a story.
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